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CHENGDU [成都] CHENGDU は ASIA に位置する人口約 6.73 millionの都市。 CHENGDU Airportは Class 2 の空港。 “CHENGDU HAS ESTABLISHED THE WORLD RENOWNED BREEDING AND RESEARCH BASE FOR GIANT PANDAS.” OPEN(coins) 34655coins 宣伝(coins) 44655coins レベル1 レベル2 レベル3 アップグレードコスト(coins) - 69310 103965 LAYOVERS 14 28 42 CLOSE時の払戻(coins) 17327 51982 103965 空港 一覧 AFRICA [アフリカ] AL FASHIR・ALGIERS・BAMAKO・BEIRA・BENGHAZI・CAIRO・CAPE TOWN・CASABLANCA・DAKAR・DJIBOUTI・DURBAN・HARARE・IN SALAH・JOHANNESBURG・JUBA・KADUNA・KAMPALA・KANANGA・KHARTOUM・KINSHASA・KISANGANI・LAGOS・LILONGWE・LIVINGSTONE・LOBITO・MAHAJANGA・MOGADISHU・MOMBASA・MONROVIA・NAIROBI・PORT ELIZABETH・PORT SUDAN・TIMBUKTU・TRIPOLI・WINDHOEK・ZANZIBAR ASIA [アジア] ADEN・AHMEDABAD・ANADYR・BAGHDAD・BANGALORE・BANGKOK・BEIJING・BUTWAL・CEBU・CHENGDU・DELHI・DHAKA・GUANGZHOU・HANOI・HARBIN・HONG KONG・HYDERABAD・ISTANBUL・JAKARTA・JERUSALEM・KABUL・KANDAHAR・KARACHI・KOLKATA・KUCHING・KUWAIT CITY・LHASA・MAGADAN・MANILA・MUMBAI・MUSCAT・NAGASAKI・NANPING・NORILSK・NOVOSIBIRSK・OSAKA・PADANG・PALU・PEVEK・PORT MORESBY・RANGOON・RIYADH・SAPPORO・SENDAI・SEOUL・SHANGHAI・SHENYANG・SINGAPORE・TAIPEI・TEHRAN・TIKSI・TOKYO・ULAN BATOR・URUMQI・VLADIVOSTOK・XI AN・XINING・YAKUTSK・YINCHUAN EUROPE [ヨーロッパ] AMSTERDAM・ATHENS・BARCELONA・BEIRUT・BELFAST・BELGRADE・BERGEN・BERLIN・BERN・BORDEAUX・BRUSSELS・BUCHAREST・COPENHAGEN・CORDOBA(SPAIN)・GLASGOW・HAMMERFEST・HELSINKI・KIEV・LISBON・LONDON・LULEA・LYON・MADRID・MANCHESTER・MINSK・MOSCOW・MUNICH・MURMANSK・NAPLES・OSLO・OULU・PARIS・PERM・PRAGUE・REYKJAVIK・RIGA・ROME・ST.PETERSBURG・STOCKHOLM・TBILISI・TRONDHEIM・VENICE・VIENNA・VOLGOGRAD・WARSAW NORTH AMERICA [北アメリカ] ANCHORAGE・ATLANTA・BARROW・BISMARCK・BOSTON・CALGARY・CANCUN・CHARLESTON・CHICAGO・CHIHUAHUA・CINCINNATI・DALLAS・DENVER・DETROIT・EDMONTON・FAIRBANKS・GOOSE BAY・GUATEMALA・HAVANA・HILO・HONOLULU・HOUSTON・INUVIK・IQALUIT・JUNEAU・KANSAS CITY・KETCHIKAN・LAS VEGAS・LOS ANGELES・MEXICO CITY・MIAMI・MINNEAPOLIS・MONTERREY・MONTREAL・NEW ORLEANS・NEW YORK・NOME・NUUK・OAXACA・ORLANDO・OTTAWA・PANAMA CITY・PHILADELPHIA・PHOENIX・PORTLAND・QUEBEC・SALT LAKE CITY・SAN DIEGO・SAN FRANCISCO・SAN JOSE・SANTO DOMINGO・SASKATOON・SEATTLE・SPOKANE・ST.LOUIS・THUNDER BAY・TORONTO・VANCOUVER・WASHINGTON DC・WHITEHORSE・WINNIPEG・YELLOWKNIFE SOUTH AMERICA [南アメリカ] ARAGUAINA・ASUNCION・BARILOCHE・BELEM・BOGOTA・BRASILIA・BUENOS AIRES・CAMPO GRANDE・CARACAS・CORDOBA(ARGENTINA)・CUIABA・CUZCO・EASTER ISLAND・FORTALEZA・GEORGETOWN・IQUITOS・LA PAZ・LIMA・MANAUS・PORTO VELHO・PUNTA ARENAS・QUITO・RECIFE・RIO DE JANEIRO・SALVADOR・SANTIAGO・SAO PAULO・TERESINA OCEANIA [オセアニア] ADELAIDE・ALICE SPRINGS・AUCKLAND・BRISBANE・BROKEN HILL・BROOME・CAIRNS・CHRISTCHURCH・DARWIN・GERALDTON・HOBART・KALGOORLIE・KATHERINE・MELBOURNE・MOUNT ISA・NEWMAN・PERTH・PORT HEDLAND・ROCKHAMPTON・SYDNEY・WELLINGTON
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Parallel Processing in Digital Control (Advances in Industrial Control) Springer-Verlag? D. Fabian Garcia Nocetti? Peter J. Fleming? Springer-Verlag? D.FabianGarciaNocetti? PeterJ.Fleming? ジャンル別? Substores-UnknownASINs-9? Subjects-Computers&Internet-Software-Business-ControlSystems? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Automation? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-ControlEngineering-Systems? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Mechanical-Automation? 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Philippe Meunier avait avancé trois arguments qui rendaient nécessaire la mise en place de [http //www.jammer-shop.com/fr/brouilleur-gps.html] brouilleur GSM Elle permettrait de réduire le racket, de favoriser l’écoute et le bon déroulement des cours et enfin, un tel dispositif réduirait la fraude aux examens. Sans s’attarder sur la question du coût exorbitant que constituerait sa mise en place, le premier argument est non avenu. En effet, le portable même inutilisable en classe, sera utilisé, dès la sortie de l’adolescent de l’enceinte scolaire ou encore dans la cours de récréation. L’autre controverse que soulève la mise en place de brouilleurs GSM est celle des effets sur la santé des ondes électromagnétiques. De nombreuses études tendent à démontrer que ces ondes, lors de l’utilisation d’un portable, seraient nocives pour la santé. Elles seraient donc dangereuses le temps de la transmission d’un message. Or le [http //www.jammer-shop.com/fr/] brouilleur, pour être efficace, émet des ondes électromagnétiques en continu ce qui permet de canaliser à tout moment l’onde électromagnétique porteuse du message. Il serait donc plus nocif que le portable lui-même et serait contraire au principe de précaution. L’Union européenne s’est d’ailleurs prononcée en matière de protection du grand public aux champs électromagnétiques. Le Conseil propose des valeurs limites dans sa recommandation en date du 12 juillet 1999. Enfin, il est forcé de constater que les portables sont en constante augmentation chez les jeunes ces dernières années. De plus en plus, ils constituent une pollution pour tout enseignant mais ils sont avant tout, des instruments perfectionnés et faciles à dissimuler pour permettre la fraude aux examens. Le rapport de l’éducation nationale d’avril 2011 contenant les prémices de la circulaire du 3 mai 2011, restreint d’autant plus l’utilisation des [http //www.jammer-shop.com/fr/brouilleur-telephone.html] brouilleur d onde en les interdisant lors d’examens tels que l’épreuve du baccalauréat. Le brouilleur GSM serait alors une solution. Or actuellement, les ondes GSM ne sont plus les seules utilisées dans les communications électroniques. En effet, il existe aussi la EDGE, la 3G ou encore la 4G. Ces ondes utilisent des fréquences tout à fait différentes de celles des ondes GSM. Ainsi, un brouilleur Haute puissance ne pourra pas éviter l’utilisation des portables à l’aide de ces autres fréquences. Défense et de la justice le ministre du Botswana a l intention d acheter des brouilleurs de téléphone portable pour retrouver les combinés de contrebande dans les prisons . Brouilleurs de cellulaires sont utilisés pour empêcher les téléphones mobiles de recevoir des signaux provenant des stations de base . Ministre Ramadeluka Seretse a dit l équipement permettrait de suivre les appels mobiles effectués par les combinés de contrebande dans les prisons , habituellement utilisés par les détenus dans les activités intrigantes de la criminalité et de harcèlement des témoins en dehors des brouilleur de prison . Le développement , mais est contre l Autorité de régulation des communications ( BOCRA ) la position de Botswana sur l utilisation des [http //www.jammer-shop.com/fr/brouilleur-haute-puissance.html] brouilleurs de téléphone . " Nous ne pouvons pas simplement s asseoir et ne rien faire quand les prisonniers eux-mêmes la contrebande de téléphones dans les prisons et on nous dit les brouilleurs de téléphone sont illégales , a déclaré Seretse . " Ce n est pas le premier incident il ya des cas où les téléphones sont interceptés , mais il est nulle part dans la loi qui explique clairement que les téléphones ne doivent pas être interceptées, at-il ajouté . Seretse a proposé un budget de P20 millions qui sera utilisé pour les prisons informatisation . Le commissaire du Botswana des prisons colonel Silas Setlalekgosi a également défendu l achat de brouilleur de radar . http //my.mmosite.com/6617782/blog/item/brouilleur_de_telephone.html https //croudia.com/voices/show/6529590
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Recommended Practice for Space Operations and Support Documentation Amer Inst of Aeronautics &? American Institute of Aeronautics & Astr? AIAA (American Institute of Aeronautics? AmerInstofAeronautics&? AmericanInstituteofAeronautics&Astr? AIAA(AmericanInstituteofAeronautics? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-Reference? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-Airport? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Liquid Propellant Gun Technology (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Gunter Klingenberg? John Knapton? Walter F. Morrison? Gloria P. Wren? Am Inst of Aeronautics? AmerInstofAeronautics&? GunterKlingenberg? JohnKnapton? WalterF.Morrison? GloriaP.Wren? 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Subjects-Science-Technology-General&Reference Analytical Mechanics of Space Systems (Aiaa Education Series) Amer Inst of Aeronautics &? Hanspeter Schaub? John L. Junkins? AmerInstofAeronautics&? HanspeterSchaub? JohnL.Junkins? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Astronomy? Satellite Communications in the 21st Century Trends and Technologies (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Takashi Iida? Joseph Pelton? Edward Ashford? AmerInstofAeronautics&? TakashiIida? JosephPelton? EdwardAshford? ジャンル別? Substores-UnknownASINs-36? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Performance, Stability, Dynamics, and Control of Airplanes (Aiaa Education Series) Amer Inst of Aeronautics &? Bandu N. Pamadi? AmerInstofAeronautics&? BanduN.Pamadi? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Science-General Subjects-Science-Technology-General&Reference IEEE Standard Vhdl Synthesis Packages Inst of Elect & Electronic? InstofElect&Electronic? ジャンル別? Substores-UnknownASINs-35 Subjects-Science-General Subjects-Science-Technology-General&Reference Guide Safety Of Hydrogen And Hydrogen Systems (Aiaa Standards) Amer Inst of Aeronautics &? American Institute of Aeronautics and Astronautics? AmerInstofAeronautics&? AmericanInstituteofAeronauticsandAstronautics? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Experiments in Aerodynamics (General Publication) Amer Inst of Aeronautics &? Samuel Pierpont Langley? AmerInstofAeronautics&? SamuelPierpontLangley? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Helicopter Flight Dynamics The Theory and Applications of Flying Qualities And... Amer Inst of Aeronautics &? AmerInstofAeronautics&? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference The Spec Manual Fairchild Books? Michele Wesen Bryant? Diane Demers? FairchildBooks? MicheleWesenBryant? DianeDemers? ジャンル別? ユーズドブック(洋書)-Parenting&Families? ユーズドブック(洋書)-Reference? Subjects-Arts&Photography-GraphicDesign-Commercial-FashionDesign? Subjects-Home&Garden-Crafts&Hobbies-General? 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Luxemburg, 6. Mai 2015 ein unbekannter Angriff mit einem laserpointer kaufen Air Rettungshubschrauber im Flug über Vianden. Die Piloten versuchen, Kontakt mit dem gefährlichen Lichtstrahl zu vermeiden. Der Vorfall ist genug, ernst, dass es eine Untersuchung durch die Polizei Luxemburg auslöst. Was die Zahl der Angriffe auf Flugzeuge oder Hubschrauber, stagnierte der Umsatz im Großherzogtum. Dies wurde in einer Antwort auf eine parlamentarische Anfrage, die, dass im Jahr 2013 gab es 33 gemeldete Angriffe Behörden von Luxemburg zu, darunter 13 im Großherzogtum gibt hervorgehoben. Im laserpointer grün Jahr 2014 gab es 32, elf in Luxemburg. In den ersten fünf Monaten dieses Jahres gab es 13 Angriffe, von denen sechs sollen Ort im Großherzogtum genommen haben. Klassifizierung von Lasereinrichtungen (gemäß den Normen NF EN 60825-1, IEC 825-1 und der Index C 43-805). © Universität Bordeaux 1 Die Mannschaften sind verpflichtet, jeden Angriff von Laser-Pointer zu melden. Wenn die Täter ermittelt werden, könnten sie eine Gefängnisstrafe von bis zu zehn Jahren konfrontiert, unter anderem für Angriff und Batterie, da dies kann dazu führen. Allerdings ist es sehr schwierig, den Schützen laserpointer 500mw zu bestimmen. Ein Augenarzt von Luxemburg, der anonym bleiben möchte, hat eine junge Patientin, die nach dem Spiel ein Spiel, wo Sie musste die längste mit einem Laser in das Auge zu halten Teil der sein Augenlicht verloren hatte, behandelt. "Es gab eine burn, die die Netzhaut durchbohrt hat," sagte der Arzt. Die junge Frau wird nie seine Vision zurück auf 100%. Es ist selten, mit diesen Geräten erblinden. Aber dieses System, zum ersten Mal auf dem Boden getestet, ist entworfen, um in der Zukunft bei einer Vielzahl von militärischen Fahrzeugen integriert werden. "Dieser Test stellt den nächsten Schritt in der Entwicklung von laserpointer shop und bei Helikoptern, Schiffen und Militärlastwagen geheilt", sagt Lockheed Martin in einer Erklärung. Neben der hohen Genauigkeit und niedrige Letalität im Vergleich zu konventioneller Munition, hat diese Waffen viele andere Vorteile. Sie überwindet die Beschränkungen des Transports und der Laserpointer 10000mw Laserpointer 10000mw der Munition (Geschosse, Flugkörper) und die Gefahr einer Explosion, die durch den letzteren im Brandfall gestellt. Und solange es mit Strom versorgt wird, kann dieser Laser eine Reihe von unbegrenzter Bursts zu ziehen. Jeder Schuss wird einen Dollar kosten. Ein Bericht des US Congressional Research Service beliefen sich Ende 2014 zwischen dem Preis einer einzigen Rakete Interception "Standard" 800.000 und 1,4 Millionen Dollar. Im Gebrauch werden die Kosten für die Entwicklung dieser neuen Waffe (von der Marine $ 32.000.000 geschätzt) schnell amortisieren. laserpointer 5000mw FRANKREICH. In Frankreich wie in vielen Ländern nur Laser, dessen Leistung nicht überschreiten 1 mW (dh, die der Klassen 1 und 2) sind zum Vertrieb zugelassen. Aber über das Internet, ist es sehr einfach, leistungsfähigere Modelle, Kategorien 3 und 4, in der Regel für den professionellen Einsatz reserviert zu bekommen. Nach Ansicht von Experten, die gefährlichste sind die laserpointer 2000mw , die in der grünen emittieren, mit einer Leistung von bis zu 1500 mW (Kategorie 4 gehört). Diese Art von Laser, um kurz die Augen für ein paar Minuten kann die Netzhaut brennen und ermöglichen irreversible Schäden. Weil der Grad der Schädigung hängt von der Laserleistung und der Belichtungszeit."Wenn der Zeiger über einmal die Augen, ist es egal", sagte der Augenarzt. Die Gefahr, mit den Fahrern ist, dass sie ihre Aufmerksamkeit zu verlieren, indem sie noch eine kurze Zeit geblendet.
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Pre-Solve Tracker Checking 解析前のトラッカーチェック 訳者注）グラフのポイントはVelocity Spikes（速度スパイク）を見つけることにあるようです。 トラッカーが途中で間違ったものを追ってしまった場合、一瞬にして別の場所へ移動します。トラッカーの移動速度が一瞬上がるわけです。これを見つけだすことで不正なトラッカーを見つけだすことができます。 （以下本文） 手動トラッキングをしているとき、十分なトラッカーがショットを通して配置できていることを確認するために、ショットを解析し始める前に定期的にトラッカーをチェックしなければなりません。 ショットを解析し始める前、自動トラッキングの後にも、トラッカーをチェックすることができます。 （単純なショットの場合、自動トラッカーでトラッキングから解析までを直接行うことができます。） このセクションは、解析する前にトラッカーを検査する方法を記載します。 SynthEyesGraph Editorを紹介します。 解析した後に、clean-up toolを含む、他のテクニックとツールを利用できます。 Tip：以下のツール・ティプスの内、自動トラッカーは灰色、 手動トラッカーは金色の背景が表示されます。 Checking the Tracker Trails トラッカー・テイルをチェックする 以下の手順は、問題あるトラッカーと状態（例えば、あまりに役に立つトラッカーが少ないフレームなど）を直ぐにチェックする方法です。 1. カメラ・ビューへ移動してください 2.メインまたは右クリック・メニューで、View/Show Imageをオフにしてください。 3.ショットのタイム・バー上で、クリック ドラッグで左右にマウスを動かし(スクラブし)、以下を探してください ・多くのトラッカーがないイメージの領域 ・全イメージが多くのトラッカーを持っていないショットの部分 ・他と違った方向に動いているトラッカー 4. メインまたは右クリック・メニューでView/Show tracker trailsをオンにしてください。 5. ショットのタイム・バー上でスクラブし、以下を探してください ・トラックの始まりか最後のおかしいフック（特に画像の端で現れます） ・テイルが不連続にジグザグしているもの。 イメージなしの方がモーション・パスを分析しやすいはずです。おそらく、イメージ自体によって惑わされないからです。 このプロセスは、問題の多いショット(低いパースペクティブによるショット、三脚で突然撮られたショット、若干のドリーまたは揺れている三脚ショット、中央のどこかに少しズームがあるショット)の性質を決定するのに有効です。 Checking Tracker Lifetimes Graph Editorのトラックビューでショットを通してフレーム毎にどのくらい多くのトラッカーが有効か概要をみることができます。 graph editorはツールバーのボタンを使用してフローティングウインドウにすることができます。また、それは、それ自体によるビューポートとして、または、他のビューポート構成の一部とにすることができます。 グラフ・エディタを開けたあと、以前に再生していたならば、それがトラック・ビューであることを確認してください。 ショットが手動トラッキングであるならば、アルファベットソートからタイムソートにしてください。 ウインドウの大きさを変更したならば、横スケーリングもリセットしてください。 次にパネルの右下ののボタンをクリックします。選択すると、トラッカーカウントバックグラウンドが見えている状態で、キーが消え、グラフが圧縮されます。グラフエディタはこのようにみえるはずです。 各バーは一つのトラッカーに対応しています。 Tracker4は選択されていて、強調されています。 色分けされたバックグラウンドは、トラッカーの数が、左で問題が多く、中央はOKで、右で安全を示します。 あなたは好きに、セーフレベルを構成できます。 このレベル(デフォルト12)を超えると、バックグラウンドは白くなるでしょう(グレーを暗いUI設定にしてください)。 しかし、セーフレベルを下回ると、バックグラウンドは Ok の、緑色の明るい色合いになるでしょう。 トラッカーの数はOKですが、希望するセーフレベルに達するほど高いわけではありません。 この圧縮された画面はトラッカーがショットの間中どう分配されているかにおける素晴らしいクイック・ルックを与えます。 色分けは三脚台モードショットと保持領域があるショットにより異なります。 ウェイトが0のトラッカーは数えません。 Hint When the graph editor is in graph mode, you can look at a direct graph of the number of valid trackers on each frame by turning on the #Normal channel of the Active Trackers node. If there are unavoidably too few trackers on some frames, you can use the Skip Frames track on theFeature Control Panel to proceed. The graph editor is divided into three main areas a hierarchy area at top left, a canvas area at top right, and a tool area at the bottom. You can change the width of the hierarchy area by sliding the gutter on its right. You can partially or completely close the tool area with the toolbox at left. A minimal view is particularly handy when the graph editor is embedded in a viewport layout. In the hierarchy area. you can select trackers by clicking their line. You can control-click to toggle selections, or shift-drag to select a range. The scrollbar at left scrolls the hierarchy area. You can also select trackers in the canvas area in squish mode, using the same mouse operations as in the hierarchy area. The icons next to the tracker name provide quick control over the tracker visibility, color, lock status, and enable. Warning you can not change the enable, or much else, of a tracker while it is locked! The small green swatch shows the display color of a tracker or mesh. Double-clicking brings up the color selection dialog so you can change the display color. You can shift-click a color, and add all trackers of that color to the current selection, control-click the swatch of an unselected tracker to select only trackers of that color, or control-click the swatch on a selected tracker to unselect the trackers of that color. Jumping ahead, the graph editor hierarchy also shows any coordinate-system lock settings for each tracker x, y, and z for the respective axis constraints; l (lower-case L) when there is a linked tracker on the same object; i for a linked tracker on a different object (an indirect link); d for a distance constraint; 0 for a zero-weighted tracker; p for a pegged tracker; F for a tracker you specified to be far; f for a tracker not requested to be far, but solved as far for cause. Introduction to Tracker Graphs The graph editor helps you find bad trackers and identify the bad portions of their track. The graph editor has a very extensive feature set that we will begin to overview; for full details see thegraph editor reference. We won’t get to the process of how to find the worst ones until the end of the section, when you understand the viewport. To begin, open the graph editor and select the graphs mode. Selecting a tracker, or exposing its contents, causes its graphs to appear. In this example, a tracker suddenly started jumping along fence posts, from pole to pole on three consecutive frames. The red curve is the horizontal U velocity, the green is the vertical V velocity, and the purple curve is the tracker figure-of-merit (for supervised trackers). You can see the channels listed under Tracker15 at left. The green circles show which channels are shown; zoom, pan, and color controls are adjacent. Double-clicking will turn on or off all the related channels. There are a variety of different curves available, not only for the trackers but for other node types within SynthEyes. The graph editor is amult-curveeditor—any number of completely different kinds of curves can be displayed simultaneously. There is no single set of coordinate values in the vertical direction because the zoom and pan can be different for each kind of channel. To determine the numeric value at any particular point on a curve, put the mouse over it and the tooltip will pop up with the set of values. The graph editor displays curves for each node that is exposed (its channels are displayed; Enable, U. Vel, V. Vel, etc above). The graph editor also displays curves for all selected nodes (trackers, cameras, or moving objects) as long as theDraw Curves for Selected Nodesbutton is turned on. This gives you quite a bit of quick control over what is drawn, and enables you to compare a single tracker or camera s curves to any other tracker as you run through them all, for example. You zoom a channel by dragging the small zoom icon. The zoom setting is shared between all channels with the same type. For example, the U and V velocity channels are the same type, as are the X, Y, and Z position channels of the camera. But the U velocity and U position are different types. If you click on the small Zoom icon, the other zoom icons of the same type will flash. The zoom setting is also shared between nodes of the same type zooming or panning on one tracker affects the other trackers too. All related channels will zoom also, so that the channels remain comparable to one another. This saves time and helps prevents some incorrect thought patterns. The pan setting is also shared between nodes, but not between channels the U velocity and V velocity can be separated out. When you pan, you’ll see a horizontal line that is the “zero level” of the channel. It will snap slightly to horizontal grid lines, making it easier to make several different curves line up to the same location. You can later check on the zero level by tapping the zoom or pan icons. There are two kinds of auto-zooms, activated by double-clicking the zoom or pan icons. The zoom double-click auto-zooms, but makes all channel of the same type have the same zero level. The pan double-click auto-zooms, but pans the channels individually. As a result, the zoom double-click keeps the data more organized and easier to follow, but the pan double-click allows for a higher zoom factor, because the zero levels can be different. For example, consider zooming an X position that runs 0 to 1, and a Y position that runs 10 to 12. If we pan double-click, the X curve will run full-screen from 0 to 2, and Y will run full-screen from 10 to 12. Note that X is not 0 to 1, because it must have the same zoom factor as Y. X will only occupy the bottom half of the screen. If we zoom double-click, X will run from 0 to 12 full screen, and Y will run from 0 to 12 full screen. The range and zero locations of both curves will be the same, and we’ll be better-able to see the relationship between the two curves. But if we want to see details, the pan-double-click is a better choice. There is no option to have X run 0 to 1 and Y run 10 to 12, by design. Both zoom and pan settings can be reset by right-clicking on the respective icons. Interpreting Figure of Merit In this example, two trackers have been supervised-tracked with a Key Every setting of 20 frames (but starting at different frames). The tracker Figure of Merit (FOM) curve measures the amount of difference between the tracker s reference pattern and what is found in the image. You see it drop down to zero each time there is a key, because then the reference and image are the same. One tracker has a small FOM value that stays mostly constant. The other tracker has a much larger FOM, and in part of the shot it is much larger. In a supervised shot, the reason for that should be investigated. You can use this curve to help decide how often to place a key automatically. The 20 frame value shown above is plenty for those features. If you see the following, you should reduce the spacing between keys. You’ll also be able to see the effect of theKey Smoothsetting the key smoothing will flatten out a steadily increasing curve into a gently rounded hump, which will reduce spikes in the final camera path. Velocity Spikes Here s an example of a velocity curve from the graph editor At frame 217, the tracker jumped about 3 pixels right, to a very similar feature. At frame 218, it jumped back, resulting in the distinctive sawtooth pattern the U velocity curve exhibits. If left as-is, this spike will result in a small glitch in the camera path on frame 217. You can repair it using theTracker control panel in the main user interface by going to frame 217. Jiggle back and forth a few frames with the S and D keys to see what s happening, then unlock the tracker and drop down a new key or two. Step around to re-track the surrounding frames with the new keys (or rewind and play through the entire sequence, which is most reliable). DeGlitch Mode You can also repair the glitch by switching to the Deglitch mode of the graph editor, then clicking on the first (positive) peak of the U velocity at frame 217. SynthEyes will compute a new tracker location that is the average of the prior and following locations. For most shots, this will eliminate the spike. If you see a velocity spike in one direction only, it will be more difficult to correct it means that the tracker has jumped to a nearby feature, and not come back. You will have to put it back in its correct location and then play (track) through the rest of the shot. The deglitch tool can also chop off the first or last frame of a tracker, which can be affected when an object moves in front, or a feature is moving offscreen. Even if the last two or three frames are bad, you can click a few times and quickly chop them off. Finding Spikes Before Solving Learn to recognize these velocity spikes directly. There are double spikes when a tracker jumps off course and returns, single spikes when it jumps off course to a similar feature and stays there, large sawtooth areas where it is chattering between near-identical features (or needs a new position key for reference), or big takeoff ramps where it gets lost and heads off into featureless territory. To help find these issues, the graph editor features the Isolate mode. Left-click it to turn it on, then right-click it to select all the trackers (it does not have to be on for right-clicking to work). With all the trackers selected, you will usually see a common pattern for most of the trackers, plus a few spots where things stick out. If you click the mouse over the spikes that stick out, that tracker will be selected for further investigation. You can push the left button and keep it down and move around investigating different curves, before releasing it to select a particular one. It can be quicker to delete extra automatic trackers, rather than repairing them. After repairing each tracker, you can right-click the isolate button again, and look for more. With two monitors, you can put the graph editor on one, and the camera view on another. With only one monitor, it may be easiest to operate the graph editor from the Camera Graphs viewport configuration. Once you are done, do arefine-mode solving cycle. Hint You can stay in Deglitch mode, and temporarily isolate by holding down the control key. This gives a quick workflow for finding and repairing glitches.
https://w.atwiki.jp/mainichi-matome/pages/7532.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Chest challenged chicks ring in bigger breasts可哀想な胸の若い女性たち、より大きな胸へと胸を踊らせる 参考資料 拡散状況 関連ページ Chest challenged chicks ring in bigger breasts 可哀想な胸の若い女性たち、より大きな胸へと胸を踊らせる 元記事（削除済み)：http //mdn.mainichi.jp/culture/waiwai/news/20040923p2g00m0dm999000c 0 Chest challenged(*1)chicks ring in bigger breasts 2004,9,23 Shukan Gendai 10/2 可哀想な胸の若い女性たち、より大きな胸へと胸を踊らせる 2004,9,23 週刊現代 10/2 1 Some of the silly tunes Japanese pay to download to use as the ring tone for their mobile phones sure have their knockers, but it s for precisely that reason that a well-known counselor is raking it in at the moment,according to Shukan Gendai (10/2). 携帯電話の着信音として使うために日本人が金を払ってダウンロードする馬鹿げたメロディーは確かに女性の胸をときめかせたが、その理由はまさに、目下ある著名なカウンセラーが荒稼ぎしているからにほかならない。週刊現代(10/2)より。 2 Hideto Tomabechi -- who first made headlines in Japan almost a decade ago after he cured brainwashed members of the AUM Shinrikyo doomsday cult that unleashed deadly sarin gas on the Tokyo subway system -- claims to have developed a tune for ring tones that promises to increase the breast measurements of those who listen to it. 苫米地英人――東京の地下鉄網に致死性のサリンガスを撒き散らした、ハルマゲドンを説くカルト教団・オウム真理教に洗脳されたメンバーを治療したことで、初めて彼の名前が新聞の大見出しを飾ったのはほぼ十年前だ――は、聞いた人の胸のサイズを増加させる見込みがある携帯着信音用のメロディーを開発した、と主張する。 3 And Tomabechi s brainchild for better busts has boomed, with chest challenged chicks swarming to transfer data to their own phones. そして、苫米地の頭脳が生み出した、より良い胸のための発明品は大人気となり、可哀想な胸の若い女性は我先にデータを自分自身の電話に取り込んでいる。 4 "I listened to the tune for a week expecting all the time that I was being duped," says Chieri Nakayama, a 19-year-old pin-up model, tells Shukan Gendai. "But, incredibly, my 87-centimeter bust grew to 89 centimeters! It was awesome!" 「自分は騙されているのだとずっと思いながら、私は一週間そのメロディーを聞きました」と、19歳のピンナップモデル・ナカヤマチエリは週刊現代に語る。 「しかし、信じられないことに、私の87センチの胸が89センチになったのです！ あれは素晴らしいです！」 5 Mobile phone ring tone tunes, or chakumero as they re called in Japanese, are almost an integral part of the arsenal of Japan s tens of millions of cellular phone users. Each of the big phone companies operates sites where their customers can for a few hundred yen per month download songs they use in place of the blase ring tones pre-installed in the phones. Normally, people select hit songs or TV themes, but Tomabechi s tit tune has hit a raw nerve somewhere, attracting an almost unimaginable 10,000-plus downloads in the first week it was made available, despite the numerous titters. 携帯電話の着信音のメロディー、すなわち日本人が呼ぶところのチャクメロは、日本の携帯電話利用者数千万人にとって、無くてはならない存在といっても良いだろう。 大きな電話会社はそれぞれサイトを運営していて、そこから顧客は、携帯電話にあらかじめインストールされていた面白みのない着信音の代わりに使う歌を、ひと月あたり数百円でダウンロードできる。 普通、人々はヒット曲やテレビ番組のテーマを選ぶが、苫米地のオッパイ音楽はどこかの神経を刺激して、リリースされた最初の一週間のあいだに、1万件以上というほとんど想像できないダウンロード数を誘引した。 6 "Most would think it s a lie, but the techniques involved in the process have been known for some time and are the result of research I carried out in the 80s and 90s," Tomabechi tells Shukan Gendai. "I use sounds that make the brain and body move unconsciously. It s a technique involving subliminal effects." 「多くの人はあれは嘘だと思いましたが、胸を大きくする過程で使われているテクニックはしばらく前から知られていたもので、80年代から90年代にわたって私が実施した研究結果でもあります」と、苫米地は週刊現代に語る。 「脳と体を無意識的に動かす音を私は使います。これはサブリミナル効果を使ったテクニックです」 7 Tomabechi claims that techniques exist to provoke movement in a certain part of the brain that reacts to sounds and light. 音と光に反応する脳の特定部位の活動を引き起こすためにこれらのテクニックは存在している、と苫米地は主張する。 8 "It s a part of cognitive science. I suppose you could call it a kind of positive brainwashing, " he says. "Sound waves travel in patterns that can be properly re-played." 「これは認知科学の一部です。『ポジティブな洗脳』みたいなものと呼んでもいいのではないのではないでしょうか」と彼は言う。 「音波はちゃんとリプレイできるようなパターンで伝わります」 9 It s an old adage that many illnesses are all in the mind, but if the counselor s claims are correct, the key to having a huge set of breasts could be the same. Tomabechi says he s already got plans on the drawing board for ring tones aimed at improving memory, increasing attractiveness for the opposite sex, making hair sprout and quitting cigarettes. おおくの病は心の内にある、は古くからあることわざだが、もしこの相談役の主張が正しければ、胸が巨乳になるための秘訣も同様である可能性がある。 記憶力向上・異性に対する魅力の増大・発毛・禁煙を目的とする着信音がすでに計画段階にある、と苫米地は言う。 10 Even if the rockmelon ring tone doesn t prove to be as effective as its inventor claims, what can t be denied is its success on the chakumero charts. おっぱいメロン化着信音が開発者の主張ほどには効果的でないことが証明されたとしても、それが着メロのヒットチャートにおいて大当たりしたことは否定出来ない。 11 "We offer loads of chakumero for sale at 300 yen a month and the tune promising huge breasts would have to be in our top 10 at least. It s doing far better than we ever expected," Yuichi Tsujimoto, a spokesman for Mediaseek, which offers Tomabechi s tune online, tells Shukan Gendai. "We haven t done any advertising for it, so I suppose the tune s success has come about through word of mouth. We ve even received mail from one user who said they listened to the tune every night before going to sleep and it made her tits bigger." September 23, 2004 「私たちはひと月あたり300円で大量の着メロを提供していて、巨乳を約束する着メロは最低でも私たちのものの内のトップテンに入ったでしょう。私達が予測していたよりもずっとすごいことです」と、苫米地の着メロをオンラインで提供するメディアシークのスポークスマン・ツジモトユウイチは、週刊現代に語る。 「あの着メロに対して、私たちは一切広告をしなかったので、その成功は口コミのおかげだと思います毎晩眠る前に着メロを聞いておかげでオッパイがさらに大きくなった、というメールを使用者の一人から受け取ったこともあります」 2004年11月23日 参考資料 苫米地英人 http //ja.wikipedia.org/wiki/%E8%8B%AB%E7%B1%B3%E5%9C%B0%E8%8B%B1%E4%BA%BA 拡散状況 Blogger：その他 http //absentelements.blogspot.com/2004/09/dumbest-article-ever.html http //blog.thatcoolguy.com/2004/10/ｒingtones-for-bigger-boobs.html(*2) SkyDrive http //cid-88684d2bf683ba51.skydrive.live.com/self.aspx/mainichi/moto/2004/2004.09/Chest%20challenged%20chicks%20ring%20in%20bigger%20breasts.pdf オランダ語サイト http //www.aniway.nl/forum/viewtopic.php?p=9746#9746 英語サイト 部分転載：ｈｔｔｐ //forum.adultdvdtalk.com/forum/topic.dlt/topic_id=46199/forum_id=7/cat_id=3/46199.htm(*3) ｈｔｔｐ //asianfanatics.net/forum/-talk36376.html(*4) http //briandavidphillips.typepad.com/brian/2004/10/breastphone_gro.html http //bruneistudent.com/board/index.php?showtopic=6513 部分転載；http //gizmodo.com/gadgets/notag/the-amazing-breast-enhancing-ring-tone-21987.php http //www.gotapex.com/off-topic/79516-forget-implants-the-breast-enlarging-ｒｉｎｇｔｏｎｅ.html(*5) http //www.howardforums.com/showthread.php?threadid=463870 部分転載；ｈｔｔｐ //forums.jolt.co.uk/showthread.php?t=359710(*6) http //linkfilter.net/?id=60295 http //forums.megatokyo.com/index.php?showtopic=1684768 http //www.militaryphotos.net/forums/showthread.php?t=22805 http //www.religionnewsblog.com/8796/chest-challenged-chicks-ring-in-bigger-breasts http //sex-and-blogs.com/archives/001362.php http //www.snowjapanforums.com/ubbthreads.php/topics/121109/1.html 部分転載：ｈｔｔｐ //www.xanga.com/carmenyhyper/663333802/breastphone.html(*7) ｈｔｔｐ //www.xanga.com/ShilVHwAiixP/143514604/item.html(*8) 関連ページ Blogger：その他 SkyDrive WaiWaiの記事を転載した英語サイト：A WaiWaiの記事を転載した英語サイト：B WaiWaiの記事を転載した英語サイト：G WaiWaiの記事を転載した英語サイト：H WaiWaiの記事を転載した英語サイト：J WaiWaiの記事を転載した英語サイト：L WaiWaiの記事を転載した英語サイト：M WaiWaiの記事を転載した英語サイト：R WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：X 毎日新聞英語版から配信された記事2004年 記事が及ぼした影響
https://w.atwiki.jp/touhoukashi/pages/1279.html
【登録タグ A Story L ぴえむこ 人恋し神様 ～ Romantic Fall 曲 発熱巫女～ず】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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https://w.atwiki.jp/petri/pages/322.html
Farbbilder zu Mini-Preisen Zum ersten Mal ist es gelungen, Farbfotos in großer Stückzahl ohne Negativ herzustellen. Ein Fotochrome-Farbbild kostet (umgerechnet) nur 80 Pfennige. Leider läßt die Qualität noch zu wünschen übrig. Jeder kennt das brillante Polaroid-System, die Sofortbild-Kamera für Filme mit eingebautem Entwickler. Man knipst, zieht an einer Papierlasche und kann nach zehn Sekunden das fertige Bild aus der Kamera lösen. Seit gut zwei Jahren gibt es sogar Polaroid-Farbfotos, die nur ein paar Sekunden länger brauchen als Schwarzweißbilder. Technisch gesehen, ist dieses Wunderwerk kaum noch zu überbieten. Trotzdem hat auch das Polaroid-System einen Haken den Preis. Ein schwarzweißes Polaroidbild kostet eine Mark, ein farbiges jedoch rund fünf Mark. Das sei entschieden zuviel, tönt jetzt die Werbetrommel einer anderen amerikanischen Firma durch den Blätterwald, zumal es ja jetzt einen viel billigeren Weg zum Farbfoto gebe Die Fotochrome Company, New York, propagiert das Fotochrome-System Wir haben nach jahrelanger Entwicklungsarbeit und nach Tausenden von Experimenten ein revolutionäres Farbfotoaufnahmesystem fertiggestellt. Die Kamera ist so automatisch, wie sie überhaupt nur sein kann. Sie ist narrensicher. Die Bedienung ist ein Kinderspiel. Und die Hauptsache Marn lädt sie mit einem Film, der die Kosten von Farbaufnahmen praktisch halbiert. Farbaufnahmen kosten soviel wie Schwarzweißaufnahmen. Warum? Nun, Fotochrome gibt den Grund an braucht kein Negativ mehr. Das Geheimnis liegt angeblich im Entwicklungsprozeß Wir sind jetzt imstande, ein Positiv in klaren, leuchtenden Farben unmittelbar, ohne umständliche, kostspielige Zwischenstufen aus dem belichteten Film herzustellen. AußBer Geld spart das Verfahren auch Zeit Bisher dauerte es meistens zwei Tage, von der Absendung des Films an gerechnet, bis man die Bilder zurückerhielt. Beim Fotochrome-Verfahren braucht man gewöhnlich nur einen Tag. Das ist zwar gegenüber dem herkömmlichen Farbfilm recht schnell, doch mit Polaroid kann man Fotochrome in dieser Hinsicht eben doch nicht vergleichen. Bleibt als zugkräftigstes Verkaufsargument also der Preis. Die ziemlich eigenartig geformte Fotochrome-Kamera ist zunächst nur in den Vereinigten Staaten zu beziehen. Kaufpreis im Einzelhandel 50 Dollar Für das Geld bekommt man einen Apparat, der wirklich beinahe so einfach zu bedienen ist, wie der Prospekt verspricht. Die 4.5-f-Linse ist nicht besonders lichtstark (viele der billigeren Polaroidlinsen sind es auch nicht); ein Belichtungsmesser ist selbstver- ständlich eingebaut, und das Laden ist nicht schwieriger als bei den Kodak-Instamatic-Modellen. Auch sonst gibt's manches vom üblichen Kamera-Komfort Sperrvorrichtung zur Verhinderung von Doppelbelichtung, automatische Belichtungseinstellung für Blitzlichtaufnahmen und ähnliches mehr. Die Fotochrome-Filmkassette läßt sich kinderleicht einlegen. Der Film besteht aus einer beschichteten Kunststoffolie, die auch das entwickelte Positiv trägt. Die Fotochrome-Filmkassette für zehn Aufnahmen kostet knapp zwei Dollar, ein Farbbild kommt also umgerechnet auf rund 80 Pfennige. Das ist fürwahr außergewöhnlich günstig! Aber nun die wichtigste Frage Wie gut sind diese Billigst-Farbbilder? Hier sind die Kenner nicht ganz zufrieden und die Laien auch nicht. Schon bei Polaroid-Farbe gibt es unter ungünstigen Aufnahmeverhältnissen manches zu bemängeln bei Fotochrome gilt das meistens auch dann, wenn die Voraussetzungen günstig waren. Manche Bilder haben einen unmotivierten Stich ins Violette; das verschossene Blau des Himmels sieht weniger natürlich aus, als es solite; beim Betrachten der Porträtaufnahmen drängt sich der Eindruck auf, die Frauen und Kinder, die da 'bitte recht freundlich' lächeln, scheinen noch einer längeren Rekonvaleszenz zu bedürfen. Leider wird dieser Fehler, der mit dem Entwicklungsverfahren zu tun haben mag, nicht durch einen zweiten aufgehoben Selbst die Farbfotos, die die Firma zu Werbezwecken verschickt, sind nicht scharf durchgezeichnet. Feine Details gibt es nicht. Der Verdacht liegt nahe, daß die Linse optisch nicht erstklassig ist. Nun soll man deshalb über Fotochrome noch nicht den Stab brechen. Wer nicht allzu anspruchsvoll ist und die Hälfte der üblichen Farbfotokosten sparen will, kann mit Fotochrome durchaus glücklich werden. Man soll auch nicht vergessen, daß man es hier mit einem der ersten negativlosen Farbaufnahmesysteme zu tun hat. Vielleicht haben sich die Fotochrome-Leute etwas zu früh auf den Markt gewagt Sie standen unter Druck. Allerdings hatten sie den Druck selbst erzeugt. Vor rund zwei Jahren ließen sie Gerüchte über ein sensationelles Farbfotosystem kursieren; damals war das Verfahren aber noch nicht publikumsreif. Da die Gerüchte ziemlich wilde Spekulationen in Fotochrome-Aktien auslösten , ordnete die Börsenaufsichtsbehörde den vorübergehenden Ausschluß von Fotochrome-Aktien an. Bei Fotochrome ist man sehr zugeknöpft, wenn man wissen will, wie denn nun das Wunder eigentlich funktioniert. Offiziell wurde uns überhaupt nichts mitgeteilt. Wir vermuten aber, daβ das Geheimnis dieses Verfahrens, ähnlich wie bei Polaroid, im Film begraben ist. Der Fotochrome-Film ist eine beschichtete Kunststoffolie, die nach Belichtung und Entwicklung auch das positive Farbbild trägt. Es muß den Fotochrome-Leuten gelungen sein, das bei der Belichtung entstehende Negativ auf dem Film in ein Positiv umzuwandeln. Vom Positiv können selbstverständ lich auch Kopien und Vergrößerungen angefertigt werden. Welcher fotochemische Prozeß dem Verfahren zugrunde liegt, ist jedoch noch striktes Firmengeheimnis der Fotochrome Inc, in Long Island City. Und wenn die sem Verfahren noch verschiedene Kinderkrankheiten anhaften, so darf man jedoch nicht übersehen, daß hier wirkli ches Neuland betreten wurde und daß Fotochrome höchstwahrscheinlich noch uner-forschte, aber zukunftsträchtige Möglichkeiten birgt. N.D. Hebert